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СЕКТОР ГАЗА ЮРИЙ ХОЙ — ИНТЕРВЬЮ В ОМСКЕ 14.04.1998
▶Подписаться на канал «Сергей Елисеев»: www.youtube.com/c/Eliseyfilms?sub_confirmation=1
=ДРУЗЬЯ, 5 ДЕКАБРЯ 1987 ГОДА ЮРИЙ КЛИНСКИХ СОЗДАЛ ГРУППУ И НАЗВАЛ ЕЁ СЕКТОР ГАЗА И ВОТ УЖЕ 33 ГОДА ИДЁМ ПО ЖИЗНИ С ПЕСНЯМИ СЕКТОРА...!!!
=Светлая Память Юрию Клинских...!!!
=Приятного Просмотра...!!!
=С Уважением, Автор Проекта «ДАВАЙ ПОГОВОРИМ» Сергей Елисеев
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На вопросы Владимира Познера отвечает народный артист РСФСР, художественный руководитель Московского академического театра Сатиры Александр Ширвиндт. На сколько лет он себя ощущает? Испытывает ли он ностальгию по советским временам и что думает о сегодняшнем дне? Чем он объясняет интерес к театру в век цифровых технологий и как относится к современным театральным постановкам?
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Интервью Дмитрия Гордона с российским рок-музыкантом, лидером группы «ДДТ» Юрием Шевчуком в двух частях. Часть 1. 2009 год.
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Beethoven — Moonlight Sonata (FULL) — Piano Sonata No. 14
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Instagram: www.instagram.com/andrearomanoandrea

The Piano Sonata No. 14 in C♯ minor «Quasi una fantasia», op. 27, No. 2, by Ludwig van Beethoven

The sonata has three movements:

0:00 1 mvt: Adagio sostenuto
6:00 2 mvt: Allegretto
8:05 3 mvt: Presto agitato

Adagio sostenuto

The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a «lamentation», mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or «very quietly», and the loudest it gets is mezzo forte or «moderately loud».

The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it «is one of those poems that human language does not know how to qualify. The work was very popular in Beethovens day, to the point of exasperating the composer himself, who remarked to Carl Czerny, „Surely Ive written better things.

Allegretto

The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as “a flower between two chasms.»[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movements cheerful disposition.

Presto agitato

The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethovens (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.

It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopins Fantaisie-Impromptu, which manifests the key relationships of the sonatas three movements.

Of the final movement, Charles Rosen has written «it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.

Beethovens heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethovens pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals

At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: „Si deve suonare tutto questo pezzo delicatissimamente e senza sordino“. (»One must play this whole piece [meaning «movement»] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethovens day, leaving for a rather blurry and dissonant tone.

One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethovens original direction.

#Beethoven #Piano #ClassicalMusic

#BadComedian обзор фильма ГОЛОДНЫЕ ИГРЫ.
Честный трейлер фильм реальная любовь — carambatv.ru/movie/cinemasins/real-love/
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===========================

2 ЧАСТЬ — youtu.be/sXc95HUaEas
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=======================
Самый нищий Ютубер? Да, кто же он? Рэд 21, Немагия или может Ларин — узнаем прямо сейчас.
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“CHROMATICA”
THE SIXTH ALBUM BY LADY GAGA
OUT NOW
smarturl.it/Chromatica

“RAIN ON ME”
THE NEW SINGLE

«Your Love» by The Outfield
Listen to The Outfield: TheOutfield.lnk.to/listenYD

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Lyrics:
I just wanna use your love tonight
I dont wanna lose your love tonight

#YourLove #TheOutfield #OfficialMusicVideo

Пятый официальный видеоклип фолк-группы Отава Ё.
The Translation of lyrics for english speakers is below!
купить песню в itunes: j.mp/1LNdWYe
купить на других платформах: otava-yo.spb.ru/ru/audio
скачать песню: otavae.kroogi.com/ru/download/3125612-Sumetskaya-singl.html
Официальная группа вконтакте: vk.com/otavayo
Facebook: www.facebook.com/OtavaYo/

Клип «Сумецкая» на первом месте в Европейском чарте видеоклипов World Music — www.worldmusic.net/charts/video/2015-02-02/february-video-chart-otava-yo-sondorgo-bostic-and-fussible-more/

Подробности про клип ниже:

Режиссёры –Алексей Белкин и Всеволод Алёхин
Сценарий – Алексей Белкин, Всеволод Алёхин (https://vk.com/alekhin_vsevolod).
Оператор – Даниил Мороз.
Postproduction – студия Алёхина.
Звукорежиссёр шумов и эффектов — Пётр Мовсин
Продюсер – Алексей Белкин.
При участии артели русского кулачного боя «Буза» (Череповец и Санкт-Петербург).
Бузники:

Денис Антипов
Иван Овтин
Владимир Кобелев
Илья Копылов
Владимир Матросов
Фёдор Низамутдинов
Андрей Иевлев
Максим Султанов

Снято в августе-сентябре 2014 года.
Сайт группы: otava-yo.spb.ru

Otava Yo — Sumetckaya (russian couplets for village fighting)
This video was shot in August-September 2014.

Director — Alexey Belkin and Vsevolod Aljokhin
Cinematographer — Daniil Moroz
Script — Alexey Belkin and Vsevolod Aljokhin
Postproduction — Vsevolod Aljokhin
Soundengineer of effects — Pjotr Movsin
Producer — Alexey Belkin

With support of russian team «Buza».

Official homepage of group: otava-yo.spb.ru
For english speakers — here is the translation of lyrics:

Sumetckaya

Who is riding? Who is riding? Look, who is riding?
These are our skobari riding on a lamemare.

Skobari are funny people,
They come home from the fair — Some are unclothed,some are bare,
Some are head broken.

Do your best and
Play me funny «Skobar»,
Oh make me feel good, so the belly doesn’t ache,
Oh have mercy on me, sinner.

Do your best and play so good,
So that legs are kicking,
And so that snotty punks
Wouldn’t jump around.
I want to prance,
I want to hoof it,
But frankly speaking,
I want to come to blows
Who is that lad,
Hopping and dancing,
He’d better watch out
For an aspen log.

I was going for a whoopee,
My daddy tossed me a nickel,
My mommy whispered:
“Don’t get wasted, you little fool!”.

I was born reckless,
I don’t cherish anything,
If my head is chopped off,
I will tie a log instead.

I am braking, I am bending.
I will say I’m feeling sick,
You’d bring me half-a-litter,
I need no doctors anymore.

If you tell us we are drunkards,
You can go and bite me,
We’ve been drinking on our own money,
We got no alms from anyone.

They’ve been beating me,
Trying to punch me in the eye,
Instead they hit me in the shoulder,
So I am standing laughing out loud.

I can’t be upset anymore,
I can’t weep any longer,
Give me some time to be joyful and have fun.

My girlfriend has braids down to her waist,
We’ve been fighting with my friend for these very braids.

You my friend, you proud eagle,
See what you’ve done to me,
You have brought me to the dark forest,
You have brought me to the prison.

We’ve been playing,
We’ve been fighting,
Now we have to sit behind iron bars,
And see the freedom far away.

The prison of Petrograd,
The one with curvy stairs,
We’ve been locked up with my friend,
We’ve been singing songs with him.

Play, my friend, and I will be singing,
So that my belly wouldn’t ache,
Let the people judge us,
Let’s get merry behind bars.